from John L. Marsh http://ift.tt/2sZOg2Y
Tips for Taking Newborn Photographs – 10 Tricks of the Trade
We found some wonderful newborn photography information provided by SLR Lounge dot com, and one of their bloggers, Hanssie. http://ift.tt/2mrvuS5
We’ll add our opinions in along the way but Hanssie did a really great job for the most part as she is really in to newborn photos.
So, let’s get started with the ten tips you need to know for getting the most awesome newborn pictures you ever imagined.
Newborn photography can seem like a scary field of photography. It’s one thing to photograph landscapes or pose adults who take instruction, but working with something as fragile and unpredictable as a newborn baby can bring out the anxiety in even the most seasoned photographer. Here are a few newborn and baby photography tips to get you started.
For more newborn photography tips and tutorials, please visit our Newborn Photography Workshop.
Our newborn photography studio offers a full guide to baby and newborn photography, teaching posing, lighting, planning, and post production for newborn photography.
Tip Number One. Safety Comes First!
Safety should always come first when it comes to newborn and baby photography. The list can get quite extensive for tips on newborn safety, but in general, use your common sense. Never bring in any hard or sharp objects as props. Never place your newborn on high or unsteady surfaces without a spotter. And realize that some of your favorite photos of newborns are actually composites.
Focus on Personal Elements and Creativity:
Introducing personal elements is part of what makes some of these creative props for newborns so great. However, guitars aren’t the most stable surfaces for newborns so a spotter is enlisted. With the camera on a tripod, the composition of the image does not shift.
With a little Photoshop magic, the images are merged and you have the composite image that you see in the first picture.
As previously mentioned in the video, the newborn’s safety needs to come before anything else, Period!
So any time you see a picture of a baby hanging from a branch or resting on a basketball or in any other precarious position, understand that the images should not be attempted without proper safety and composite techniques for newborn photography.
TIP number 2.
DON’T FOCUS ON THE Camera GEAR FOR NEWBORN PHOTOGRAPHY
You should be able to get amazing newborn and baby photography results with almost any camera and lens if you simply learn the proper lighting, creativity, and camera angles for newborn photography.
Though a professional camera like a Canon 5K Mark three, a full frame camera, will give you better overall image quality than an advanced point and shoot camera like a Sony NEX, a camera like the Sony NEX will likely be sufficient for capturing great images of newborns.
TIP number three. KEEP YOUR NEWBORN baby COMFORTABLE
In newborn photography, you are generally going for two looks, peacefully sleeping or awake and happy. If the baby is uncomfortable, you run the risk of him or her being fussy, potentially crying, and overall causing a difficult time for everyone involved in the shoot. Consider wearing gloves if your hands are cold. Use Heating pads, and consider space heaters if the room is not nice and warm.
TIP number four. SELECT THE RIGHT TIMEFRAME FOR NEWBORN PHOTOGRAPHY
Your magic window for Newborn Photography is within the first 14 days of birth. Newborns are easiest to work with during this time because they are sleeping for most of the day. They are also the most easy to adjust during this time-frame. Consider taking your baby’s photos after his or her umbilical cord has fallen off (which is typically after 5 days or so).
TIP number five.
GET YOUR BASIC POSES Setup FIRST FOR your NEWBORN PHOTOGRAPHY sessions
Being creative is a large part of being a newborn photographer, but so is making sure you get the basic, must-have shots. You should always start with the basics and move towards the more advanced photos just in case the baby gets too fussy and you have to call off the shoot. Below are some of the basic shots you should get before introducing complex, time-consuming, and difficult photographs.
Six Tips to The Perfect Headshot – How To Take Corporate Headshots the Right Way!
Ever wonder why you see so many people getting their picture or portrait taken? I have often wondered the same thing some times. Are these people just ego maniacs, or is there a reason for all this shutter clicking?
Headshot photographer, and Blogger, Christina N Dixon, sheds some much needed light on the subject of headshots, and how they should be taken by your headshot photographer.Here are six fantastic tips to obtaining the perfect corporate or professional headshot. https://twitter.com/christina_nd?lang=en
So, What exactly are, business headshots?
Wikipedia defines a headshot as the following:
A headshot is a photographic technique where the focus of the photograph is a person’s face.
It would seem to be a simple project for a photographer. After all, you are only worrying about a persons face, and just maybe part of their shoulders. Seriously, how hard can it be?
Headshots are a critical piece of many professionals PR packets.
A dynamic headshot for models, actors, and other performance professionals will be the difference between acquiring the gig or not.
Your clients can be no more excited than if they get a photo session based on the power of their headshot, and of course, this means more jobs for your headshot photography studio.
Follow these few tips to achieve the perfect headshot.
Tip Number One: Focus on the eyes.
The eyes are said to be the window of the soul.
Therefore, nothing is more important than achieving sharp, crisp eyes in your shot.
Capturing the eyes in a powerful way will draw the viewer into the photo, establishing a strong connection that will speak volumes.
Number Two: Watch your angles.
Remember that for close up shots, angles will affect the outcome look and feel.
For women, make the eyes appear larger and the face more delicate by shooting down on them.
For men, emphasize strength and achievement by shooting slightly up.
Number Three: Use diffused light.
In close up shots, the skin is a central feature. It’s crucial to show the skin without blemishes.
Achieve this by using diffused light to gently wrap around the skin, bringing definition along the lines of the face without highlighting blemishes.
Number Four: Add a hair light.
Detail is critical in head-shots and are no more dynamic than when created with a hair-light.
A hair-light can be placed above or behind the subject with a flash, or the sun to add depth to the shot, and pull the top of the head out of the background.
Number Five: Use of the correct camera lens.
Nothing is more disturbing than a near dynamic headshot that fails, simply because of lens distortion.
Generally, avoid mid to wide angle lenses for close headshots.
Instead, use a lens that will compress your image and slim your subjects face. Typically use a ninety millimeter lens and above.
Number Six: Guide facial expression.
The final most important element is an expression to match the purpose of the headshot.
It’s your job as photographer to pull out the most natural looks from your subjects.
Do so by guiding them through complimenting conversation; in effect, asking serious questions to pull out a thoughtful gaze, or cracking a joke to capture a natural smile.
Thank you for watching our six tips to the perfect headshot for your social profile, or any other type of media. Please like and comment below the video.
Bruno Kongawoin is a famous headshot photographer from Australia. Bruno recently wrote a great blog post on why your headshot matters.
Enjoy watching and listening to the video to see his findings.
WHY YOUR HEADSHOT MATTERS, BY BRUNO KONGAWOIN
We live in a digital world where millions of images are being viewed, uploaded, downloaded or used in many more ways than we can imagine.
Those images can have a very captivating and have strong impact specially when they extend beyond what we know as a normal headshot. We offer a wide range of cinematic headshots such as actor headshots, corporate headshots, environmental shots, lifestyle headshots and sporting shots.
Why you should have a Cinematic Headshot?
There are many things that matter for to consider having a professional headshot. Unlike any headshot photography,our main reason for you is that your cinematic headshot will be different from any other, it will make people have a second look and get you noticed.
Why you should invest in a professional Cinematic Headshot
If first impression matters to you, then Lightbent Images And Photography’s Cinematic Headshot will definitely get you noticed.
Any professional headshot is good to use for your work and social media but our professional cinematic headshot style will most likely get viewers to take a second look and get you noticed.
Most hiring managers and Casting Directors would have made their minds and decision about you when they first looked at your original headshots.
The bottom line is to keep your corporate headshot updated and current if you want to get noticed in corporate America.
NEW YORK :: THE PHOTOGRAPHY TOUR
I’m in New York filming 2 videos for the artist series. I had the day off today so I decided to do a little photography tour of New York City.
In this video I’ll take you to see Saul Leiter’s Apartment, W. Eugene Smith’s Jazz Loft and Richard Avedon’s home/studio.
Filmed entirely on my Sony RX100 Mk IV in Slog2. Color graded in DaVinci Resolve.
Subscribe for more videos!
Watch More Episodes:
THAT TIME I MET ALEXEY TITARENKO
GETTING IN TROUBLE WITH JOHN FREE
MY SONY A7SII TRAVEL RIG
And get on our mailing list to stay up to date on photography news and the latest episodes:
Thanks for watching – if you like this video, remember to share it with your friends!
The Art of Photography
3100 Main St #135
Dallas, Texas 75226
My name is Ted Forbes and I make videos about photography. I’ve been making photographs most of my life and I have a tremendously deep passion for photography that I want to share with you on YouTube.
The Art of Photography is my channel and I produce photography videos to provide a 360 degree look into the world of making images. We all want to get better so lets do this together!
I make videos covering famous photographers, photography techniques, composition, the history of photography and much more.
I also have a strong community of photographers who watch the show and we frequently do social media challenges for photographers to submit their own work. I feature the best and most interesting on the show when we do these so come check it out and get involved!
via YouTube https://youtu.be/m7YMIV5W8cg
Driving Downtown – Stamford Connecticut USA
Driving Downtown – Stamford Connecticut USA – Episode 36.
Starting Point: http://ift.tt/2lbiyQ1 .
Stamford is a city in Fairfield County, Connecticut, United States. Stamford is home to four Fortune 500 Companies, nine Fortune 1000 Companies, and 13 Courant 100 Companies, as well as numerous divisions of large corporations. This gives Stamford the largest financial district in New York Metro outside New York City itself and one of the largest concentrations of corporations in the nation.
Among the larger companies with headquarters in Stamford are Vineyard Vines, WWE, Tasty Bite, Pitney Bowes, Gen Re, Frontier Communications, Starwood Hotels and Resorts Worldwide, Crane Co., and Charter Communications. UBS also has its North American headquarters here and its trading floor holds the Guinness World Record as the largest column-less trading floor in the world. The Royal Bank of Scotland moved its North American operations into Stamford in 2009, including its RBS Greenwich Capital subsidiary.
In recent years, many large corporations have moved offices outside of the city due to the high rental cost, including Xerox, MeadWestvaco, International Paper, GE Capital, NBC, and Clairol. The Harbor Point development, located in the South End, is one of the largest private-sector development projects in the United States. Many large retail stores, such as Design within Reach and Fairway Market have moved in, along with multiple hedge funds.
In the 1960s and 1970s, Stamford’s commercial real estate boomed as corporations relocated from New York City to peripheral areas. A massive urban redevelopment campaign during that time resulted in a downtown with many tall office buildings. The F.D. Rich Co. was the city-designated urban renewal developer of the downtown in an ongoing redevelopment project that was contentious, beginning in the 1960s and continuing through the 1970s. The company put up what was the city’s tallest structure, One Landmark Square, at 21 floors high, and the GTE building (now One Stamford Forum), along with the Marriott Hotel, the Stamford Town Center and many of the other downtown office buildings. One Landmark Square has since been dwarfed by the new 35-story Trump Parc condominium tower (topped out), and soon by the 400-foot 39 story Ritz Carlton Hotel and Residences development, another project by the Rich Company in partnership with Cappelli Enterprises. Over the years, other developers have joined in building up the downtown, a process that continued, with breaks during downturns in the economy, through the 1980s, 1990s and into the new century.